In Craig Judd’s ‘the Snakes Hips’, presented by Damien Minton at Sheffer gallery, polychrome snakes of acrylic paint writhe from their tubes in Craig Judd’s charmed paintings.
Sculpture and philosophy converge in the spatial propositions of Margaret Roberts. Lodged in dialogues with other art, the specific dimensions of particular places and quotidian materialities, each set of installed templates telescopes situation and time.
Still photographic images conjure continuities of social connections: profound, intimate, historical, political.
Discovered this fantastic work. This ingenious “shard poem” rearranges ceramic history. On view now Michael Lett Gallery as part of the exhibition ‘the body and its outside’ 2 Jun — 3 Jul 2021.
The glint of a music box ballerina winds up the bling and Ebony Russel’s comedic and cathartic “splat” faces put the icing on disappointments.