Kiosk, Mori Gallery Sydney, 2003
Correspondence reflects the drawn projections and plans between unknown and partly known objects, viewers, room work and a gallery space. An aspect of the room work manual. Notes and glyphs on the grid patterned lining of turned envelopes pinned on a wall cross reference, read, and connect spatially. A planning notebook, on the other hand, infers direct tactile interactivity. The book must be opened and pages turned. Whilst sequential pages do not prevent random entry, one can only see one page at a time.
Replacements: other drawing, reveries of the everyday, curator & participant, Tin Sheds Gallery
Where we know: Toni Warburton, Wollongong City Gallery, 2009
Seven volume studies for Catchment, a field of beakers for St Hedwig of Silesia and Wingecarribee Swamp. 6 Bound artist books, one canvas beaker on wooden shelf. Collection the artist
Collage: recycled envelope linings, rag paper, photocopies, water colour, graphite, bookbinders muslins archival glue.
The Drawing Exchange. Hoff Space, National Art School Sydney, 2018
Replacements: other drawing, reveries of the everyday, Tin Sheds Gallery, 2007. Toni Warburton, curator & participant